希賽網(wǎng)為考生們整理了2013年首都經(jīng)濟(jì)貿(mào)易大學(xué)考博英語完形填空部分真題，供考生們備考復(fù)習(xí)。

Directions: There are 15 blanks in the following passage.For each blank there are four choices marked A, B, C and D.You should choose the ONE that best fits into the passage.Then mark the corresponding letter on the ANSWER SHEET.

Aesthetic thought of a distinctively modern art emerged during the 18th century.The western philosophers and critics of this time devoted much attention to such matters(1) natural beauty, the sublime, and representation — a trend reflecting the central position they had given to the philosophy of nature.(2)that time, however, the philosophy of art has become ever more prominent and has begun to(3)the philosophy of nature.Various issues central to the philosophy of art have had a(4)impact(5)the orientation of 20th-century aesthetics.

(6)among these are problems relating to the theory of art as form and(7)distinction between representation and expression.Still another far-reaching question has to do with the value of art.Two opposing theoretical positions(8)on this issue: one holds that art and its appreciation are a means to some recognized moral good,(9)the other maintains that art is intrinsically valuable and is an end in itself.Underlying this whole issue is the concept of taste, one of the basic concerns of aesthetics.In recent years there has also been an increasing preoccupation with art as the prime object of critical judgment.Corresponding to the trend in contemporary aesthetic thought,(10)have followed either of two approaches.In one, criticism is restricted to the analysis and interpretation of the work of art.(11)it is devoted to the articulating the response to the aesthetic object and to(12)a particular way of perceiving it.

Over the years, aesthetics has developed into a broad field of knowledge and inquiry.The concerns of contemporary aesthetics include such(13)problems as the nature of style and its aesthetic significance; the relation of aesthetic judgment to culture; the viability of a history of art; the(14)of Freudian psychology and other forms of psychological study to criticism; and the place of aesthetic judgment in practical(15)in the conduct of everyday affairs.

1.A、for             B、as        C、to          D、with

2.A、Since         B、For      C、As          D、In

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